A small tableau graces the bookshelf above John Thomson’s desk at the end of his lab bench: a jar of Kraft Vegamite, the bitterly salty soy paste Australians favor over peanut butter, and three bottles from a chemical supply company labeled, in plain black type, Caffeine, Nicotine, and Ethyl Alcohol. The bottles, though meant to be ironic, represent Thomson’s muses. He gulps sludgelike coffee that no one else at Vertex will touch, smokes unfiltered Camels, and drinks hard. In the lab, in winter, Thomson wears Ray-Bans, battered running shoes, tight blue jeans, and even tighter T-shirts; a favorite one bears a picture of Calvin, the boy in the comic strip Calvin and Hobbes, and says: “I hate everybody. As far as I’m concerned, everyone on the planet can just drop dead.” The introduction to his doctoral thesis contains the prologue to Goethe’s Faust, in which Mephistopheles mocks the existence of a good soul.